doodlebible

Fact sheet · updated

BOOK HISTORY, IN PLAIN ENGLISH

Every page
made by hand.

A medieval Bible began as an animal skin.

Read a page
An open handmade book of blank parchment on an oak desk with a feather quill, three small pots of blue, red and green pigment and a sheet of gold leaf
AI-generated image, not a photograph of a real person or place.

ILLUMINATEDto light up

Before printing, Bibles and other holy books were made in four slow stages: parchment, writing, illumination and binding. Museum curators can still read each stage in the pages that survive.

At a glance

≈ 1450

When paper became common in Europe

Getty says most medieval manuscripts were written on parchment or vellum, and paper did not become common in Europe until around 1450.

PAPER · GETTY

340 folios

Surviving leaves of the Book of Kells

The University of Otago describes 340 surviving folia holding an incomplete Latin text of the Gospels. The book has been at Trinity College Dublin since 1661.

BOOK OF KELLS · OTAGO

TWO NUMBERS WORTH KNOWING

Slow books,
long lives.

One date on when paper took over,
one count from a famous Gospel book.

Getty dates handwritten, hand-decorated manuscripts in Europe and the Mediterranean from about 500 to 1500.

READ A REAL PAGE

What can you
still see?

Pick a clue you might notice on a medieval manuscript page, in a museum or online. The bar shows roughly how easy it is to spot, going by how curators describe it.

Drawn from Getty Museum descriptions of its manuscripts. How easy a clue is to spot varies from book to book.

Page clues

Choose a clue
Tiny dark dotsHair follicles

Getty points to tiny dark dots on one page: the animal's hair follicles, still visible centuries after the skin became parchment.

Faint straight linesRuling

Pages were ruled, usually with leadpoint or coloured ink, so the scribe could write evenly. In some books the ruling is in red ink.

An outline with patchy colourUnfinished work

Getty shows a leaf where text and gold are done but the figures carry only a first layer of colour: a glimpse of the order of work.

A shining backgroundBurnished gold

Gold leaf laid on bole or gum and rubbed smooth catches the light, so pages shimmer as they are turned. That glow gives illumination its name.

Sources: Getty News, Making a Medieval Manuscript (29 September 2026); Getty Museum, The Making of a Medieval Book (2003 exhibition).

THE SHORT ANSWER

Four stages,
many hands.

Getty's curators split the work into four stages.
Each one left marks you can still see.

PARCHMENT

From skin to page

Skins of sheep, goats or calves were soaked in limewater, stretched on a frame and scraped thin with a curved lunar knife, then sanded with pumice.

Read a page

ILLUMINATION

Gold first, then paint

Gold leaf went down on bole or gum and was burnished to shine. Colours came after, often mixed with egg white as tempera.

See the stages

MATERIALS

Feathers and minerals

Scribes wrote with goose or swan quills. Paints came from ground minerals, plant dyes and made colours; Getty says the deep blue on one page was probably crushed stone.

See the numbers
A pale goatskin laced tight on a wooden frame in a workshop, with a curved half-moon knife resting against it
AI-generated image, not a photograph of a real person or place.

THE FOUR STAGES

How a Bible
came together.

Getty's exhibitions on medieval books follow the same four steps. The words usually went on before any painting.

  1. Make the parchment

    Soak the skin in lime, stretch it wet, scrape with a curved knife and repeat over several days until thin enough.

  2. Rule and write

    Rule the lines, then write with a cut goose or swan quill. A knife sharpened the pen and scraped away mistakes.

  3. Gild, then paint

    Draw the outline, lay and burnish the gold, then add colours bound with egg white as tempera.

  4. Sew and bind

    Fold sheets into gatherings, sew them onto cords or thongs, lace these into wooden boards and cover in leather or fabric.

SEE ONE YOURSELF

Many are
now online.

Some libraries share their manuscripts online. Digital Bodleian, launched in 2015, lets anyone view and download high-resolution images for non-commercial research and teaching.

Getty notes that names of medieval bookmakers are rarely known, though the Flemish binder Lievin Stuvaert signed the inside cover of the Llangattock Hours in the 1450s.

A painter's hand adding blue colour with a fine brush to a tiny snail motif in the corner of a cream sheet, beside a dish of paint
AI-generated image, not a photograph of a real person or place.

Questions

Questions people ask

What is the difference between parchment and vellum?

Both are specially treated animal skins. Getty uses the two words together for the skins most medieval manuscripts were written on, made mainly from sheep, goats or calves.

Why is it called illumination?

From the Latin illuminare, to light up. Getty says it describes the glow of the colours, especially gold and silver, used to decorate the pages.

What did medieval paint contain?

Ground minerals, dyes from plants and chemically made colourants, according to Getty, usually mixed with egg white to make tempera.

Were Bibles written before or after the pictures?

Usually the text came first. Getty says the illuminator then sketched the design, laid the gold and added colours in layers.

How were the pages held together?

Sheets were folded into gatherings, sewn onto cords or leather thongs and laced into wooden boards. Metal clasps on luxury bindings helped keep the parchment flat.

Sources

Where the facts come from

  1. Getty News: Making a Medieval Manuscript, from Raw Materials to Illuminated Masterpiece (2026)
  2. Getty Museum: The Making of a Medieval Book (exhibition pages)
  3. University of Otago Special Collections: The Book of Kells
  4. Digital Bodleian: About

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